


In the last few years of writing fiction and working on various designs, I have developed a set of "glyphs" which represent various aspects of life. These representations have become a prominent feature in my tattoo designs. This page describes the most commonly used glyphs as well as a few others which are visually interesting. Most of these glyphs, and the meanings behind them, originate from a set of fictitious cultures. Be aware that any religious or historical explanations listed below may originate completely within my own mind, and have no basis in actual accepted belief systems.
| Common Sybology and Glyphs | |||||||||||||||||||||||||||||||||||||||||||||||||||
| Glyph | Description | Meaning | Notes | ||||||||||||||||||||||||||||||||||||||||||||||||
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Lone dot | Void: Inner peace and clarity of thought and spirit | . | ||||||||||||||||||||||||||||||||||||||||||||||||
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Three dots | Triumvirate: Mind, Body, Spirit (also Father, Son, Ghost) | . | ||||||||||||||||||||||||||||||||||||||||||||||||
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Two equal dots | Choices, pairings, non-opposing aspects | . | ||||||||||||||||||||||||||||||||||||||||||||||||
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Two dots, one superior | Aspects of the female (though not necessarily femininity). Representation of Mother and Child | 1 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Moon | Navigation and direction (usually metaphorical or spiritual) | 2 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Tusks, the open circle | Humanity, the imperfect circle, strong at points, weak and dangerous at others. | . | ||||||||||||||||||||||||||||||||||||||||||||||||
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Circle | Perfection or continuity. Usually represents loyalty or eternity | . | ||||||||||||||||||||||||||||||||||||||||||||||||
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Claws | Inner demons, the dark aspects of the spirit which act in a violent or destuctive manner. | 3 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Harpoon lines | Truth, direction of purpose. Often combined with smoke. | . | ||||||||||||||||||||||||||||||||||||||||||||||||
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Smoke | Ephemeral qualities such as memories. Aspects which fade and/or distort with time | . | ||||||||||||||||||||||||||||||||||||||||||||||||
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Ropework | History. Primarily ties to personal history. The complexity and knotwork of the rope discribes the individuals ties to and involvement in that history | . | ||||||||||||||||||||||||||||||||||||||||||||||||



